Tag Archives: the guardian

Poetry in the News

Langston Hughes Poetry Center

Allen University formally opens its Langston Hughes Poetry House


Resurrections, Do-Overs, And Second Lives: A 2015 Poetry Preview


Poetry Now shortlist for best single volume by Irish poet


Poetry is well and truly in the margins – will it ever get out?


Iraqi folk poets face criticism


ANOTHER VIEW: Poetry is an art


David Harsent wins TS Eliot prize for poetry for Fire Songs



Rick O’Shea: an unversed choice for RTÉ’s new poetry show


Paintings, poetry mark Nilambur Balan remembrance


Two television shows, one goal – to revive Arabic poetry


American life in poetry


Arundhathi Subramaniam wins poetry prize


Poetry in the News


Chicana Novelist and Poet Ana Castillo Discusses Poetry, Fiction and the Xicanisma Experience


Miller Williams, Arkansas poet who read at Clinton inauguration, dies at 84


Phoenix Poet Myrlin Hepworth: “The Poetics of My Time Are in Hip-Hop”



 Poetry in motion: mobile site brings new audience to African writers


The Electric Poetry of Kwame Dawes


UWM’s Kimberly Blaeser named the next Wisconsin poet laureate


Bridgewater College to host International Poetry Festival


Former U.S. Poet Laureate Natasha Trethewey at Winter Words in Aspen


Poetry in the News….


Memphis Poetry


Nine Great Poetry Books of 2014 According to The New Yorker


Talking about poetry, with a critical eye


Postcard from Washington: An ‘old man’s poetry’ strikes new chords



New poetry by area poets to be featured on buses


McCrory names new N.C. poet laureate


Harrisburg Magazine on The Almost Uptown Poetry Cartel


Imtiaz Dharker awarded Queen’s gold medal for poetry


African-American poets get their due


Calling closet poets, look what The (Great) Indian Poetry Collective is unveiling


At 86, Poet Donald Hall Writes On, But Leaves Verse Behind


Through poetry, Kirk Douglas reflects on ‘Life’


‘Philip Larkin’: A small, sad man who wrote great poetry?


Poetry in the news…

Hasstrac smith

And The Winners Are…



The Poetry and Prophecy of Edgar Allan Poe


Hebridean poet wins UK’s richest poetry prize with debut collection


Post, Simin Behbahani

Simin Behbahani, celebrated poet known as the ‘lioness of Iran,’ dies at 87


Scott Andrew Christensen’s poetry sings simply



Remembering UR Ananthamurthy: The literary icon who took a stand against Modi


Nevadan poets making a mark on literary community


Fazıl Hüsnü Dağlarca

Giant of Turkish poetry remembered on 100th birthday


Poetry in the News…


Billy Collins: ‘When I start a poem, I assume the indifference of readers’


Out of the ordinary poetry



Vietnamese poetry collection to be published in US


More on North Carolina Poet Laureate


When poetry goes beyond the surface


Calling Central New York Poets



Through the eyes of a poet


Bill Wolak

Why Bill Wolak thinks poetry can change the world


amy lowell

Poet Amy Lowell revived at the Mount


Carol Ann Duffy, Poetry At The Palace

Poems, palaces and butts of sherry: exhibition brings poets laureate to life


Latest Literary News….


The Sultan of Sewers- William Burroughs’ anti-authoritarian vision


Gontarek awarded Community Service Award From PWC


Israel Horovitz: Heaven and other Poems


What’s Going on in Harrisburg?


Poetry: Who Needs It?


Word for Word: Poetry films the new way to go


Elder by David Constantine review – a new collection as the poet turns 70


Airman expresses self through spoken-word poetry


In Prose and Poetry: “Pageant of Youth”


Guilty Knowledge, Guilty Pleasures: The Dirty Art of Poetry, by William Logan


Pulitzer-winning poet Vijay Seshadri fuses the fantastic with the everyday


Words of praise for a praiseworthy poet


Poetry doesn’t always require panic attacks


Is Paxman right? Or Should Poetry Just Follow its Natural Course

-g emil reutter 


Jerry Paxman, a judge for Britain’s Forward Prize for poetry said in a recent article at the Guardian “I think poetry has really rather connived at its own irrelevance and that shouldn’t happen, because it’s the most delightful thing,”  Paxman continued, “It seems to me very often that poets now seem to be talking to other poets and that is not talking to people as a whole.”  The full article appears here: http://www.theguardian.com/media/2014/jun/01/jeremy-paxman-poets-engage-ordinary-people-forward-prize

There has been much said and much written over the last two centuries about the relevance of poetry, yet it remains. Poets are the great observers of the world around us and while many don’t read poetry or attend poetry readings on a regular basis, most folks like to know there are poets around. While the Guardian article is Britain specific I believe it could apply to any nation. It seems to me that poets are the only one’s concerned about this for in the end poets write, it is what they do, relevant or not, sales or none, poetry is written. So we asked a few poets to let us know their thoughts on the matter..

DOUG HOLDERDoug Holder, Lecturer in Creative Writing at Endicott College and publisher of the Boston Small Press and Poetry Scene said: “Just because we are poets doesn’t mean we are not ordinary people. I for one am an everyday person who happens to write poetry. I write poems about life–the everyday stuff–love, loss, death the whole gamut. All poetry addresses this I think. That being said sometimes poetry that is being written today maybe too conceptual.

Holder believes in solid grounding, “You need to have some concrete detail. As William Carlos William said, and I paraphrase “Not in ideas, but things.” A poem must be grounded first–solid ground- and then you can float off after this point. Perhaps this would be a way to engage with more readers.”.

Holder may be right. Conceptual poetry may hurt poetry as a whole, grounded may be the way to go..

JC-Necklace2jpgPoet J.C. Todd viewed the article a bit differently. She takes issue with Paxman and his premise.  “Jeremy Paxman has the noun wrong. If there is a problem, it is not with poetry but with poets or, more likely, with publishers of poetry or, could the problem be with his taste as a reader. Blaming an art form? That’s a bit of fuzzy thinking since art is made by humans. Blame the humans–poets, publishers, readers? They are responding to culture. Blame the culture? You can see this is leading down a weedy garden path.”.

Todd also takes issue with Paxman as a judge and celebrity. “Paxman was reading poems as a judge, his primary motive to assign selective value instead of appreciating them or grappling with them. Could the process of choosing “the best” have tainted his engagement with the art? He was paid to judge and now he’s double-dipping making a celebrity or pundit of himself by blaming poetry. Oh, dear. And poetry, having no legal standing, can’t sue for defamation or libel or slander. The perfect victim and cause célèbre.”

So is Paxman the guy to take this position? Is Todd correct in her premise,” the problem lies with poets or more likely publishers of poetry, or, could the problem be with Paxman’s taste as a reader?”

 ???????????????????????????????Poet and Editor of The Fox Chase Review, Diane Sahms-Guarnieri agrees with Paxman on some points. “Poetry can appeal to all levels of life and should be read as widely as bestselling novels; and therefore poets writing poetry should not discount people, who are not poets, yet enjoy reading poetry.    Although poetry takes on numerous forms and voices (including but not limited to language, surrealism, experimental, and realism) there has always been a need for poetry that speaks directly to the masses, the everyday reader, and the “non-poets.”

Sahms-Guarnieri continues, “The problem is they’re so many cliques, factions, and élite groups of poets that demand that other poets (not in their group) write the way that they write.  These groups of poets truly believe that they hold the “truth” and poetry has to be written their way, as if the world of poetry exists just for them and those who drink with them from their “limited” well of water.”

She is concerned about the impact of this institutionalized exclusion and agrees with Paxman that poetry should relate to the people as a whole.  “ My friends, exclusion is  not what freedom of expression is all about, that is, you cannot and will not harness the muse into one little holding cell.  Poetry is by nature for everyone, from every walk of life, and the muse will always allow for variation and freedom.  Poems will always be written by and performed by many different poetic voices.   Poets should echo the human experience with poetry that relates to “all” people, touching and re-touching lives.”

Sahms-Guarnieri agrees  with Paxman that poetry should reach out beyond poets. Poetry written and read for the people as opposed to a select group of poets would seem to make sense. As she states, “poets write to “echo the human experience”, to touch all people.”

Frank WilsonPoet and publisher of Book Inq. , Frank Wilson believes Paxman’s premise is more applicable in the U.K. than in the U.S. “… where poetry seems to be flourishing at readings in bars, galleries and parks.” Wilson stated he was just finishing off reviews of three poetry collections, “They have much in common, but are still quite distinct.”

He points to the internet, “The internet abounds with poetry, and most of it is not at all academic. Some, I have no doubt, will have quite a long life.” 

Poets write poetry often without recognition or profit. Paraphrasing Stanley Kunitz, “poetry is the last uncorrupted art… there is no profit in it.” Commercialization as Paxman calls for is not the answer, it may be a very simple answer indeed, writing poetry people will read. Poetry rises and falls with the changing cultural ocean. It is as natural as the rising and setting of the sun. Let nature take its course, reach out to people, go out and write a poem.

Related post at FCR:  Poetry in Decline- Is a Revolution Needed?

g emil reutter 2-g emil reutter lives and writes in the Fox Chase neighborhood of Philadelphia, Pa. (USA) http://gereutter.wordpress.com/