Authorspress, New Delhi, 2014
ISBN 978-81-7273-962-1
Review by Shernaz Wadia
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This is a collection of poems written in forthright, simple language. The poems have an undercurrent of morality but Pankajam does not write like a preacher or someone who believes her destiny is to change the world. It remains for the reader to glean the pearls from between her words and lines. She writes quietly, reflectively, spraying quotidian subjects – Bus Journey, A Surprise Visit, Signboards, My City Seldom Sleeps, Rain Skills, Before The Ink Dries – with freshness and vibrancy.
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Resolutions will immediately resonate with the habitual resolution makers. Many will ‘rewind’ with the poet and ‘think of the debt I could not pay, the promises I could not fulfill’ She takes us relentlessly through each month of the year to finally wind up where we started, with “a fresh list for yet another year”.
She finds Faith everywhere from a plain sheet of paper to everything in nature. It is ‘in our expectation of a daybreak after pitch-dark nights, while our existence next moment/seems beyond prediction.’
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She writes lucidly about the Indian customs, rituals and ethos she is a part of. (The Pipal Tree, Vishukkani, Hopefully…, Gruhapravesham) Nor does she shy away from what might be termed ‘superstition’. In Stains (Pg. 33) she visits childhood memories of her grandfather’s quirks. Language of Childhood bemoans the loss of innocence and voices the universal desire for a return to it while Second Childhood compassionately revives the memory of an uncle who had slipped into dementia.
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When the world is tooting gender equality and women of substance are feted, her women-centric poems stop us in our tracks and compel us to take a look at a different reality. ‘Morning Blues, Yielding… ‘You Are (Not) a Working Woman’, is the dismal tale of every homemaker, whose relentless toil is taken for granted even though she works herself to the bones.
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Inching slowly, she saunters towards the bed
And slithers into the waiting arms. He murmurs:
“Thank God you are not a working woman!”
Her day continues…
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‘Solitude’s Whimper’ is one poem that shatters our complacency. It shames us out of our apathy as we stare with a dumb ache and with “the walls bleed silently”
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If a philosophical vein peeps through poems like The Journey, A Little Secret, The Ultimatum…, the poet’s humour drips from poems like ‘A Surprise Visit to a Bachelor’s House’. I couldn’t help but smile at ‘A Momentary Impulse’ a poem most will be able to relate to
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No sindhoor on the parting line/a milky path to the kingdom of love/that kindles his passion to leap a bit.
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In ‘An Orchestra’ she becomes ‘a song in the concert’. In Muse-Inspired she says,
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Salty breeze from Bay of Bengal….give rebirth to my sunken moods/ raises my spirit to its meridian splendour/and soaks my soul in the pavilion of passions.
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Some subjects have been written about endlessly, but they don’t lose their poignancy. Life Is a Circle is a heart-wrenching letter from a parent in an old age home which concludes with the lines
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I taught you all about life
maybe not about relationships
and I write to say:
Don’t tell your son I am here.
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Another evergreen subject for poets is Mother. Pankajam’s ode to her’s is ‘You Visit Me in My Sleep’.
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In my sugared memories of the past,
your face blooms like a lotus that meditates
unfolds at sunrise, upright,
with flawless beauty and virgin purity.
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In Sum and Substance Pankajam serves us a varied fare which is appetising, appealing and satiating. There is a sprinkling of nature poems, love poems, poems that throw a search light not only on society but on her inner realm. We are carried along on her words as she questions, wonders, dreams, empathises, hopes and muses.
– Shernaz Wadia, a retired teacher, lives in Pune, India. A free-lance writer, her articles, short stories and poems have been published in many online journals and literary magazines like Muse India, Boloji, Kritya and The Enchanting Verses etc. Her poems have been anthologised in Poets International, Roots and Wings and Caring Moments. Shernaz is in the process of publishing her poems in a book titled Whispers of the Soul.. She has also co-authored a book of poems titled “Tapestry”, with Israeli poetess Avril Meallem. It is an innovative form of collaborative poetry writing developed by the two of them.
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